About/Mission
Project Shakti is The Lotus Paper’s initiative centered around addressing rape culture and gender violence within the global South Asian community. The aim of Project Shakti is to bring light to the issues of beauty standards, victim-blaming, honor-shame culture, gender-based violence, and other aspects of rape culture within the global South Asian community and build solidarity among survivors and allies of all genders. Project Shakti will consist of two parts:
- An empowerment journal, Brown & Boundless, meant for South Asian youth struggling with beauty standards and self-worth. In the rise of “looksmaxxing” culture and objectification in media, this journal will feature meaningful prompts and spaces to write/create art, and is meant for self-reflection and awareness, spreading the idea that your bodies are not measurements or things to be corrected.
- An anthology featuring creative, testimonial, and informational works on beauty standards, rape culture, and gender violence within the global South Asian communities. This anthology will feature guaranteed publishing as long as pieces follow our guidelines.
note: if you are a survivor who has come across this opportunity, please know that you are absolutely not obligated to submit or share your story. we recognize and respect that the healing process is different for everybody. your healing is yours alone, and if choosing not to submit is best for your peace, we completely value that. you can support us by simply holding space and standing in solidarity with survivors of gender violence, however you choose.
Project Shakti is being funded by the Fellowship of Reconciliation through the selective Mike Yarrow Peace Fellowship.
Please note that the guidelines for Project Shakti are vastly different from The Lotus Paper's traditional guidelines, so please read through the guidelines below if you plan to submit. Submissions that do not adhere with our guidelines will not be published.
Content Warning: This section is meant to provide context on rape culture and gender violence for those submitting, and mentions potentially distressing topics such as gender violence, victim-blaming, objectification, beauty standards, and stigmas against LGBTQIA+ individuals. Reading this section is not required. Please note that The Lotus Paper does not, in any way, condone the belief that gender violence is the fault of the survivor, and is actively trying to break such harmful stigmas through Project Shakti.
Rape Crisis England & Wales defines rape culture as a culture where sexual violence and abuse is normalized, excused, and not challenged by society as a whole. This can stem from societal patterns such as shaming people for their bodies and clothing choices, objectification and hyper-sexualization of people in media, and normalization of boundary-crossing and violence in media. Rape Prevention Education by the Whakatu Mauri Trust also highlights that casual jokes on gender violence contribute to its normalization.
Rape culture in South Asia often stems from cultural expectations and media:
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Honor-Shame Culture: Honor, translated from izzat in Punjabi and arabic, is described as a strong part of South Asian womens' lives. In a study published in Journal of Human Psychology, participants shared how the concept of honor and shame more strongly dictated women' s behaviors, dress, and sexuality, with the latter being considered a matter tied to family identity and honor. This can act as a barrier for survivors of gender violence - especially female survivors - from speaking out, creating a cycle of silence and shame.
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Victim-Blaming: A study published in Embodied: The Stanford Undergraduate Journal of Feminist, Gender, and Sexuality Studies highlighted the use of linguistic patterns of victim-blaming in South Asian media coverage of gender violence cases, including the emphasis of the survivor’s race and personal details or portraying the survivor as “admitting” or “confessing” to the violent act. In a culture where honor and shame are tied to a woman’s sexuality, victim-blaming language in the media can normalize the harmful belief that gender violence the survivors’ fault, when that is not true.
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Media & Objectification: In mainstream South Asian media like Bollywood, objectification of women is common, especially in “item songs”, which have little to no connection to the main plot and feature portrayals of female dancers. For example, the popular song “chammak challo” translates to “arrogant yet easily accessible woman”, emphasizing the woman’s subordination and lack of agency compared to male counterparts. A dissertation from Michigan Technological University argues that media that reinforces these gender roles and views women through “the male gaze” can contribute to real-world attitudes such as harassment (“eve-teasing”) and gender violence.
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beauty standards: An interview with researcher Deepika Rani by the 1947 Partition Archive highlights how many of the women who faced abduction during the India-Pakistan partition fit an “ideal” standard of colonial beauty. This finding reveals how perpetrators weaponized historical attitudes towards beauty for violence. This is never the fault of the survivor; a survivor’s appearance or dress is never the invitation for harm, but this finding reveals that gender violence could lie in collective societal attitudes and ideals that value certain standards of beauty over others. Currently, when media like Bollywood continues to place value on similar, Western standards like fair skin and slim figures in the context of objectification, it can cause perpetrators of harassment and violence to equate the standard with unhealthy ideals of “desire”. When media and stories begin to respect people of all body types and looks and portray women with full agency, it can reduce the power imbalances that cause violence to occur.
While gender violence against female survivors is often reported and heard about, the experiences of male survivors often go unheard. A study published in BMC Psychology that interviewed 11 South Asian survivors of childhood sexual violence found that factors such as familial attitudes towards masculinity, honor, queerness, and mental health resulted in difficulty speaking out, revealing that rape culture extends towards male survivors as well. Furthermore, political barriers - such as a lack of laws that protect men from domestic and gender violence in India - can prevent these cases from being heard.
Gender-diverse individuals are increasingly being legally recognized by South Asian countries, with Nepal, India, Bangladesh, and Pakistan formally recognizing third gender identities. Still, discrimination is common among gender-diverse groups such as hijras and kothis, with familial stigma causing many to enter poverty, homelessness, or sex work, which increases their risk of experiencing violence. Yet, stigmas against gender-diverse individuals are widespread, with much of the South Asian population perceiving LGBTQIA+ rights as a threat to traditional values. This can be a barrier for widespread gender violence awareness amongst gender-diverse and queer individuals.
Project Shakti aims to address these cultural roots of gender violence and rape culture. By providing guaranteed publication to south asian survivors and allies of all genders, we hope to create a judgement-free space that ensures all survivor voices are heard and valued.
Submissions must be related to the topics of, gender violence and rape culture (victim-blaming, honor-shame culture, beauty standards, media portrayals, stigmas) in South Asian communities (Note: Due to the volume of submissions for this anthology & the nature of the topic, we do not offer individual recognition for Project Shakti submissions). Submissions can be:
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Creative — fiction, creative nonfiction, poetry, playwriting/screenwriting, visual artwork (2D & 3D), photography, and design exploring your or a fictional character’s experiences. Requirements:
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Prose (fiction & creative nonfiction) : up to 2 pieces, each no more than 3,000 words
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Poetry: up to 5 poems, no more than 15 pages total
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Playwriting/Screenwriting: up to 2 pieces, each no more than 15 pages
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Visual arts (2D, 3D, photography, design, fashion): up to 5 pieces
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If your submission is part of a larger novel, portfolio, or play, please include a short synopsis/description of the larger work, no more than 250 words.
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Informative — an essay or journalistic article exploring these issues in detail and ending with calls for action. Requirements:
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Up to 2 pieces, each no more than 3,000 words
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Sources must be cited in a consistent style (APA, MLA, chicago, etc.)
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When referring to those who faced and survived gender violence, please use the term “survivor” as much as possible
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Testimonial — a personal account of a lived experience with one of these issues. Requirements:
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You have the option to type out the testimony on the form or a document or use speech-to-text
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Submitters must be ages 13 and above
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Submitters must be of South Asian heritage (Afghan, Bangladeshi, Bhutanese, Indian, Maldivian, Nepali, Pakistani, Sri Lankan)
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Submission Formats:
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Written: 12-point font size times or times new roman double-spaced .pdf or .DOCX
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Visual: High-resolution, proper lighting, .jpg or .png
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We accept pieces that have been published elsewhere and simultaneous submissions!
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Optional: You can include a short author/artist bio in third person (50-150 words). You can tell us anything you want about yourself, your hobbies, and your interests, but keep in mind this will be shared if you choose to add it on the form.
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We do allow submissions in another language. If possible, please try to include an English translation along with it. We will publish both versions to maintain the integrity of the original piece. Please include footnotes for any phrases/words in a language other than English.
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We do not accept plagiarized works and works generated by artificial intelligence (AI). If we suspect otherwise, we will contact you and you will have a chance to appeal by showing your process.
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We ask that submissions do not contain NSFW content or graphic descriptions of violence. This allows the focus to be on healing, empowerment, and solidarity while keeping it accessible and informative to teen readers and staff members.
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If you are creating from a place of support, rather than experience, we ask that you portray themes with respect and honesty. If possible, we urge you to do research on testimonies from survivors to ensure accurate representation of such experiences.
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Please do not submit works that promote or encourage any form of hate speech. If certain words or phrases are necessary to preserve the integrity of your experience, we ask that you include content warnings and mention it on the content warning box in the form.
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Please ensure all informational pieces are well-researched and include cited sources. Works that fail to do this will be asked for revisions.
We understand that healing may not be easy. sometimes, empowerment lies in understanding the deep psychological, emotional, and social toll of gender violence and rape culture. Submissions do not necessarily have to be about finding the light — they can be about sitting in the dark.
We want submissions that are honest. Some ideas include submissions about:
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Being judged and shamed for the way you dress and style yourself
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Feeling excluded or stigmatized for your gender/sexual orientation
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The pressure to be “worthy of honor” in your family’s eyes
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The pull between traditional gender roles and your ambitions
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The small, but stinging, comments on your appearance by family, friends, strangers, and classmates
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The journeys of healing and reclaiming your body
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Research on real-world cases of gender violence, how they tie into rape culture, and why it matters to South Asian society & society as a whole
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Explorations of gender roles, gender-based violence, and rape culture in South asian historical events (such as the India-Pakistan Partition)
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An imagined future where aspects of rape culture in South Asia (ex. sexualization, honor-shame culture) are systematically enforced from a political perspective
Know Your Rights:
The Lotus Paper is based in the State of Washington, USA, so we adhere to the State of Washington contract laws and frameworks. By signing this agreement, all international contributors agree that any disputes will be resolved under the State of Washington legal standards. South Asian creators aged 13-25 residing in any nation are permitted to submit.
By being accepted to The Lotus Paper, you confirm the work(s) you submitted are completely original, created solely by you, and do not infringe upon any third-party copyrights. If you are under 18 years of age and your work(s) has been accepted, you confirm that your parent or guardian co-signed the digital consent form to confirm their permission.
If any disputes arise because a submission belongs to someone else, you (and your parent/guardian if you are under 18) accept full responsibility for resolving that claim.
you also grant us non-exclusive archival and print rights, meaning that The Lotus Paper holds the right to store, preserve, and provide access to your published work(s).
You still retain full ownership of copyright over your work(s) and can republish your work anywhere else.
By submitting to The Lotus Paper, you also grant us non-exclusive worldwide serial and reprint rights, meaning we have the right to publish your work on our standard mediums, such as ncluding but not limited to social media platforms such as Instagram and TikTok, digital archives such as this website and Substack, and standard seasonal anthologies hosted on digital flipbooks such as HeyZine and/or on printed back-issues to be distributed physically. You can still submit previously published work.
The Lotus Paper respects intellectual property rights. If you are a contributor who wishes to have your accepted work removed from our social media or digital archives, please contact us at thelotuspaper.hello@gmail.com. We will review and remove the specified content within 5 business days.
However, in the case that a digital archive issue, physical issue, or print layout has entered production or printing, the publication and print rights for that specific issue are permanent and cannot be revoked, unless it is urgent.